Canon Powershot S95 vs Lumix LX5 – which is the compact top dog?

Canon Powershot S95 vs Lumix LX5 - which is the compact=

Its predecessor, the PowerShot S90, came a close second to the superb Panasonic Lumix LX3 in our high-end compact camera shoot-out last year, but is Canon’s freshly announced PowerShot S95 now good enough to take the top dog crown?

Fighting fit

Clad in a tough-looking, sleek and stylish body, the S95 boasts a fast, wide-angle zoom, hybrid image stabilisation and – finally – 720p HD video recording.

Like the Lumix LX3 – and its recently announced follow-up, the LX5  – there’s now multi-aspect ratio shooting (3:2, 4:3, 1:1, 16:9 and 4:5 formats).

The PowerShot S95 has the looks to justify its wallet-depleting qualities, with the update coming in a slimmer package, just 29.5 mm thick, with an improved multi-control dial and the same external coating used on the EOS 7D to improve slip-resistance and grip.

Canon Powershot S95 vs Lumix LX5 - which is the compact=

Improved low light performance

Combining Canon’s high-sensitivity 10.0 Megapixel CCD sensor and powerful DIGIC 4 processing, the S95 promises to be a good performer in the dark (oo-err), pledging “exceptional low light performance,” supporting a maximum ISO of 3200 at full resolution, with manual tweaking of ISO and white balance settings on hand.

In Low Light mode, the ISO range can be extended from ISO 320 right up to ISO 12800, at the expense of much smaller images (2.5MP). By comparison, the LX5 offers 80-3200 ISO, with 12800 ISO available for 3MB images.

Lens – fast but not as wide as we’d like

The camera features a fast f2 (max f4.9), 28mm-105mm wide-angle zoom, supported by a built in optical Image Stabiliser (IS).

Here’s where the new Canon continues to lose ground to the Lumix LX3/LX5, as once you’ve got used to the latter’s extra wide 24mm lens, Canon’s more modest wide angle offering seems rather restrictive.

Canon Powershot S95 vs Lumix LX5 - which is the compact=

Control ring

Where the PowerShot S95 does score highly is with its unique Control Ring which makes it easy to quickly adjust shooting settings like ISO, shutter speed, aperture, focus and exposure compensation. This has now been tweaked to give a more satisfying ‘click’ when used, and us photographers definitely like to feel a click when we’re dabbling in manual settings.

A new Tracking AF mode also lets users track subjects that are in motion, even when they drift from the centre of the screen, while a High Dynamic Range shooting mode takes three different exposures of the same scene and combines them in-camera  to create a single image with an increased dynamic range.

Canon Powershot S95 vs Lumix LX5 - which is the compact=

LCD screen

Canon’s 3.0″ (7.5 cm) 461k-dot PureColor II G LCD screen comes with a tempered glass outer layer for extra protection, and a new RGB histogram in playback lets snappers check their images.

The Lumix LX5 screen comes in at the same size and resolution, so there’s little to choose between them.

HD movies with stereo sound

The PowerShot S95 can record 720p HD 24fps movie recording with stereo sound, with an integrated HDMI port with CEC compatibility for viewing your work on compatible HDTVs and remote controls.

If you must, the Miniature Effect shoots movies at a slower frame rate for (ahem)  “dramatic and compelling” time-lapse-style model-scale videos.

Canon Powershot S95 vs Lumix LX5 - which is the compact=

Shooting modes

There’s a large array of manual and auto shooting modes or order to keep compulsive tweakers happy, including Full Manual, Semi-automatic Aperture priority (Av), Shutter priority (Tv) and Programme AE modes, and Smart Auto for point and shoot frolics.

Scene Detection Technology within Smart Auto  intelligently analyses scenes and dynamically selects the appropriate settings from 28 variables, with onscreen Hints & Tips messages guiding users through the camera’s menu.

The PowerShot S95 should be available from the end of this month, with an RRP of £399.

Canon Powershot S95 vs Lumix LX5 - which is the compact=

Canon Powershot S95 vs Panasonic Lumix LX5 – which is best?

We haven’t had chance to play with either camera yet, but based on specs and a fair bit of experience with their predecessors, we reckon it’ll remain a tight call, with both cameras offering very similar specs.

If we went on recommended prices, we’d go for the the S95 as it’s listed at a whole £100 less than the LX5 (£399/£499), although we’ve already spotted the Lumix available on offer for as little as £353.

Canon Powershot S95 vs Lumix LX5 - which is the compact=

Lens compared

The Lumix offers a faster lens to the Canon (f2.0-f.3.3 compared to a slower f2 – f4.9), and we’d always sacrifice a little telephoto in exchange for a more expansive wideangle, so the LX5’s 24mm-90mm beats the S95’s 28mm-100m for us.

We’re pretty keen on the PowerShot’s control ring though, and aren’t sure if we’re going to like the LX5’s redesigned click wheel as much as the joystick.

That said, we find the Lumix user interface far more intuitive than Canon’s offering, although this is very much a question of personal taste.

Video face-off

The Lumix also offers an optional external LCD viewfinder and hotshoe, but when it comes to video, the Canon can record in stereo while the Lumix is restricted to Beatles mono.

Perhaps of more importance is the LX5’s ability to zoom while recording video, something not listed in Canon’s specs.

The Lumix also offers longer maximum exposure (60 secs compared to 15 secs on the S95), faster top shutter speed (1/4000 vs 1/1600) and faster continuous drive (2.5 fps, max 5 images vs 0.9 secs).

Of course specs don’t tell the full story, but for a detailed comparison between the cameras, we recommend you fire up DPReview’s excellent Side By Side app for an in-depth rummage through the stats, figures and facts.

What may prove a deciding issue for some is size: the S95 is far more pocketable at 100 x 58 x 30 mm compared to the 110 x 65 x 25 mm of the Lumix, and it’s lighter too (195g compared to the LX5’s 271 g).

Whichever camera you choose, you can be sure you’ll be holding one of the very best compact shooters around, although we’d recommend also taking a look at Micro Four Thirds cameras from Olympus and Lumix which offer a lot more flexibility and higher quality photos for not much more dosh.

Our choice is…

We don’t like to sit on the fence though, so given the choice (and we’d like that choice please Messrs Canon and Panasonic!), we’d go for the Lumix LX5, on account of its better handling, faster lens and, crucially, wider zoom lens.

Update: Our Lumix LX5 review has been posted.

Update: 3rd November

TechRadar have managed to grab a S95 for review, and their conclusion seems to be pretty much in line with our thoughts:

The Canon S95 is a great little camera that enthusiasts will love. It’s small, fits in the pocket and is classily designed as well as shooting good quality images.
DSLR users looking for an everyday camera to shoot with the on the fly will appreciate the high image quality this offers in a neat package.
That said, it’s pricing is, at the moment, a little expensive for what you get, and a couple of niggles (like the lack of selectable autofocus points, no ISO button, no movie button) begin to make other premium compacts, such as the Panasonic LX5 which answers many of these problems well, seem more attractive for serious users.

Amazon links:
Canon PowerShot S95Panasonic Lumix LX5.

Canon and Panasonic press release and specs:

Canon Powershot s95

London, UK, 19th August 2010 – Canon today unveils the latest model in its successful PowerShot S-series with the launch of the new PowerShot S95 – an advanced, compact digital camera for photographers looking for outstanding low light performance and manual control in a pocket-sized body. Succeeding the highly-acclaimed PowerShot S90, the new model offers improved handling, greater levels of manual control, HD movie capabilities, the HS System and Hybrid IS – providing a powerful feature set capable of superb image quality in all shooting conditions.

Building on the S-series’ core principle of offering advanced manual control and low light performance in a compact body, the new PowerShot S95 takes the range to new heights, with features designed for users who demand maximum control and premium image quality in all conditions. The popular lens Control Ring, introduced with the PowerShot S90, has been improved with greater levels of flexibility, while a bright, f/2.0 lens and Canon’s HS System provide an even more powerful basis for low light and creative photography. The PowerShot S95 is also the first-ever Canon compact to feature Hybrid IS technology, providing improved image stabilization for macro photography.

Improving on both the size and handling of its predecessor, the PowerShot S95 features an even slimmer body at just 29.5 mm thick*1, an improved multi-control dial and the same external coating used on the EOS 7D to improve slip-resistance and grip. Also designed to fit seamlessly into a photographer’s existing workflow, the camera offers RAW format shooting and support for Canon’s Digital Photo Professional (DPP) software.

Shoot in darker situations with f/2.0 aperture and the HS System
The PowerShot S95 includes Canon’s HS System – a combination of a high-sensitivity 10.0 Megapixel CCD sensor and powerful DIGIC 4 processing, which provides exceptional low light performance even better than that of its predecessor. The HS System enables the camera to support a maximum ISO of 3200 at full resolution and works to reduce the occurrence of noise at all ISO speeds for high quality images. Users can also set their own parameters in Auto ISO mode, with the ability to limit the maximum ISO speed they want to employ during shooting.

Using Low Light mode, the camera can also achieve an extended ISO range from ISO 320 to ISO 12800, capturing images at 2.5MP resolution. Manual control of ISO settings and white balance in Low Light mode also provide greater control over shots taken in darker conditions, allowing users to accurately capture the ambience of a dimly-lit environment exactly as they see it. Low Light mode also enables higher speed shooting, capturing up to 3.9 shots per second so a moment is never missed.

As well as providing the ability to shoot without the flash and still achieve correctly-exposed shots, the PowerShot S95’s high-sensitivity sensor offers a greater dynamic range compared to conventional sensor types. Tonal range representation is improved as a result, allowing natural looking pictures to be captured in all conditions. A bright, f/2.0 genuine Canon lens perfectly complements the HS System, allowing more light into the camera and providing greater ability to use faster shutter speeds and freeze the motion of moving subjects.

Genuine Canon lens with Hybrid IS
The PowerShot S95’s 28mm wide-angle lens features 3.8x optical zoom, allowing users to get closer to distant subjects during shooting. The camera benefits from Canon’s extensive heritage in lens design, having been developed using the same processes and high-quality standards employed to manufacture Canon’s EF lenses, ensuring sharp, high resolution images with every shot.

Canon’s acclaimed optical Image Stabilizer (IS) counteracts camera shake – reducing blur and enabling users to capture shots in darker conditions and shoot at a shutter speed approximately 4-stops slower than would otherwise be necessary to achieve a blur-free shot. Hybrid IS also prevents image blur during close-up shooting, counteracting angular and shift shake that becomes more pronounced during macro photography.

Unparalleled control
The PowerShot S95’s unique and enhanced lens Control Ring enables the adjustment of various shooting settings such as ISO (in 1/3 stop increments), shutter speed, aperture, focus and exposure compensation – providing a satisfying and tactile experience. Offering even higher levels of customisation, the PowerShot S95 features a custom setting that allows the user to pre-set the function of both the lens Control Ring and the rear Multi-Control Dial in various shooting modes. A dedicated shortcut button can also be configured to provide instant access to pre-selected functions, offering the photographer easy access to settings during shooting.

To track subjects that are in motion, or to help achieve a creative composition, a new Tracking AF mode offers the ability to select objects from the centre of the frame and track them if they move, or if the frame is recomposed.

The handling of the Multi-Control Dial has also been redesigned following feedback from owners of the preceding model. The dial now features a more pronounced ‘click’ mechanism, preventing any unintentional changes to settings. Furthermore, the positioning of the ‘Ring Func.’ and ‘On/Off’ buttons has been revised, providing greater all-round operation in everyday use.

A 7.5 cm (3.0”) 461k-dot PureColor II G LCD screen features a tempered glass outer layer, offering enhanced strength, high contrast and a wide viewing angle that offers greater visibility even when shooting in bright conditions. A new RGB histogram available in playback also allows photographers to instantly check the exposure of a shot in detail.

HD movies with stereo sound
The PowerShot S95 features 720p HD 24fps movie recording with stereo sound. The inclusion of Miniature Effect in movies also adds a completely new dimension to video footage – shooting at a slower frame rate for dramatic and compelling time-lapse-style videos which appear of model scale. An integrated HDMI port with CEC compatibility makes it simple for video and stills to be viewed and controlled directly using a compatible HDTV and remote control.

Capture scenes as you see them
A High Dynamic Range shooting mode allows the capture of high contrast scenes closer to how they appear to the human eye. Exceeding the limitations of conventional cameras, the PowerShot S95 takes three different exposures of the same scene*2 before analysing and combining shots to create a single image in-camera. The result is an image that captures highlight and shadow detail closer to how the photographer sees it.

Instant, creative results
The PowerShot S95 includes a range of shooting modes to match the desired level of control or the photographer’s skill. In addition to the flexibility of Full Manual control and semi-automatic Aperture priority (Av), Shutter priority (Tv) and Programme AE modes, the PowerShot S95 also features Smart Auto for those who simply want to capture great shots instantly.

Scene Detection Technology within Smart Auto helps to provide the best results in all conditions, intelligently detecting the scene and selecting the optimum settings from 28 variables. Hints & Tips messages within the UI also make everyday operation as simple as possible, intelligently guiding users through the camera’s menu and offering a short explanation of each feature before it is selected.

Smart Flash Exposure controls flash levels according to shooting conditions, providing the right amount of flash to ensure perfectly exposed shots in all situations, from darker rooms to bright sunlight. The PowerShot S95 also offers Multi-Aspect shooting, with 3:2, 4:3, 1:1, 16:9 and 4:5 formats supported. Allowing photographers to shoot according to their subject or the intended use of the image, Multi-Aspect shooting provides the ability to choose which composition and result they want to capture as the image is taken, without the need for post-processing.

Easy, wireless content transfers are supported by Eye-Fi connected functions, allowing remote uploads to image sharing websites such as CANON iMAGE GATEWAY. The camera features a dedicated Eye-Fi section within the User Interface, and disables the auto power-down function when the Eye-Fi card transmits data – allowing the easy transfer of content without interruption*3.

Providing excellent all-round image quality and excelling in low light, the PowerShot S95 offers an extensive feature set designed to deliver outstanding performance. Built for those who want the perfect combination of portability, power and control, it’s the ultimate pocket-camera for the even the most advanced photographer.

Share stories with CANON iMAGE GATEWAY
Owners of the PowerShot S95 can join the CANON iMAGE GATEWAY, an online facility for sharing photos and video. Photographers can take advantage of up to 2GB of personal storage capacity, creating enough room for hundreds of high-quality images. Mobile browsing is also supported, making it easy for friends and family to view photos on the move.

Canon PowerShot S95 – key features:

HS System & f/2 lens
High-sensitivity 10 MP CCD
28mm wide, 3.8x zoom lens, Hybrid IS
Lens Control Ring, Full Manual & RAW
7.5 cm (3.0″) PureColor II G LCD
HD movies, HDMI
High Dynamic Range mode
Smart Auto
Multi-Aspect Shooting
Optional Waterproof Case
*1 CIPA Compliant
*2 Tripod required for High Dynamic Range shooting
*3 This product is not guaranteed to support Eye-Fi card functions (including wireless transfer). In case of an issue with an Eye-Fi card, please check with the card manufacturer.
Also note that approval is required to use Eye-Fi cards in many countries or regions. Without approval, use of the card is not permitted. If it is unclear whether the card has been approved for use in the area, please check with the card manufacturer.

Lumix LX5 press release


Panasonic LUMIX LX5 Features New High Sensitivity CCD and F2.0 Leica Lens for Shooting Stunning Photography and Vivid High Definition Videos

SECAUCUS, NJ (July 21, 2010) – Panasonic today announced the LUMIX DMC-LX5, the ultimate compact, high-performing digital camera offering photo enthusiasts the ideal camera for capturing professional-quality photos and High Definition (HD) video.  With an ultra-bright F2.0 ultra-wide-angle 24mm LEICA DC VARIO-SUMMICRON lens, the LUMIX LX5 minimizes image distortion, resulting in stunning, true-to-life images with outstanding resolution and detail. The 24mm wide angle lens offers extraordinarily large viewing space and now the optical zoom is extended to 3.8x(90mm) making the LX5 even more versatile.

“The Panasonic LUMIX LX-Series cameras have been extremely popular models for us with professional and enthusiast photographers, who understand and value the superb image quality such a compact, affordable digital camera can offer,” said David Briganti, Senior Product Manager, Imaging, Panasonic Consumer Electronics Company. “We expect the same enthusiasm, if not more, for the LUMIX LX5, which features improvements to the lens and processing – resulting in even better images.”

The Panasonic LUMIX LX5 is a unique compact digital camera in that it offers superb image quality along with a super-bright lens and increased creative modes.  The F2.0 lens is twice as bright as a F2.8 lens, making it easy to produce beautiful photos with a soft-focused background thanks to the shallow depth of field provided by the extra light. In addition to the newly-designed lens, the LUMIX LX5 features an image processing engine that combines technologies resulting in professional-quality photos, especially in low-light situations.  Like its predecessor, the LUMIX LX5 features the highly-acclaimed 10.1-megapixel CCD, but it has an expanded dynamic range by increasing the sensitivity and the saturation.

The newly developed Venus Engine FHD image processor enables higher-speed, higher-performance while compiling the Intelligent Resolution technology. The triple CPUs in this imaging engine dramatically speeds up processing while achieving exceptional noise reduction performance. With its high-sensitivity CCD and the brightness of the lens, minimum illumination of the LUMIX LX5 is as low as 3 lux while shooting video.

In addition to capturing high-quality still photos, the LUMIX LX5 can record HD videos in AVCHD Lite, a format that allows almost doubling the recording time in HD quality compared with the conventional Motion JPEG format. Creative video shooting modes include Creative Movie mode, where users can set shutter speed and aperture manually to make even more impressive movies. My Color mode and Film mode are available for more extended expression not only in photography but also in videography.  The LUMIX LX5 also features Dolby Digital Creator to record high quality audio and the 3.8x optical zoom is available while shooting video.

The LUMIX LX5 has also been redesigned externally – with a thicker grip making it easier to hold and a newly-incorporated turn-and-push jog dial achieves various selection and setting more quickly. The LUMIX LX5 also features a hot shoe, which allows for the attachment of a wide-variety of accessories, such as an optional Live View Finder which helps shooting under strong daylight with high visibility or an external flash. The 1:1 square format setting is added in the aspect ratio option which can be selected with the switch at the side of the lens barrel.

Other features of the Panasonic LUMIX LX5, include:

  • The 3.0-inch large 460,000-dot high resolution Intelligent LCD also redesigned by adopting High CRI (Color Rendering Index) backlight LED to greatly increase the color reproduction, making it more visible both in shooting and playing back images in any conditions from at dark night to under bright sunlight.
  • Battery life is extended to shoot 400 photos (CIPA) per a single charge.
  • A wide-variety of accessories, including a Live View Finder (DMW-LVF1), External Optical View Finder (DMW-VF1),  Wide Conversion Lens (DMW-LWA52), Conversion Lens Adaptor (DMW-LA6), MC Protector (DMW-MC52), ND Filter (DMW-LND52), PL Filter: DMW-LPL52, External Flashes, Leather Case (DMW-CLX5) and a Battery Pack (DMW-BCJ13).

The Panasonic LUMIX DMC-LX5 will be available in late-August 2010 for a suggested retail of $499.95 and will be available in black and white models.

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25 Comments on “Canon Powershot S95 vs Lumix LX5 – which is the compact top dog?”

  1. I’m having a lot of fun following comments on the Canon S95, and the Panasonic LX5. What I have not read yet, is a really valid comment on exactly how pocketable the LX5 is. I know the S95 is, and I see the LX5 noted as ‘slightly larger’. I would like to know, and I realize I might have to wait til I handle one, is whether the LX5 is shirt pocketable. And, while I’m at it, do the measurements for the LX5 include the closed lens, in the depth dimension? Anyone know now?
    Thanks, Richard

  2. Re zoom on video , my S90 permits zoom in video mode so it would be very surprising if this facility is not available in the S95 even if it’s not listed in specs.

  3. re pocketability of lx5…well I find the previous lx3 pretty unpocketable..I tried for a while, then gave up and it now lives in a panasonic case (very nice). Great camera though.

  4. At the end of the day, these are all “happy-snappy” cameras. i.e., you can’t take them too seriously – despite the heavy price tags. The results are going to be pretty marginal in comparison. The Canon does sport RAW format which is a big plus though.
    It is annoying, with the plethora of products out in the market place, non of these companies comes up with the ideal combination – there is always something lacking on one or the other. Perhaps then, with all these cameras, and their high or wildly varying prices, it is a case of trying to soak the consumer for all they can get by adding a few bells and whistles to an otherwise basic toy that is handy for the consumer if not for his pocket!

  5. Thanx Nick Wade, and Piers Gibbon, for your pertinent answers. I should add that I already have a Panasonic m4/3 get-up, with the G1 and GF1 cameras. Apparently the LX5 would be close to the GF1 in size… non-pocketable with the pancake lens. So it boils down to something definitely pocketable, comparable in capability to the Canon S95; which there does not seem to be. Thanks again to Nick and Piers. Richard

  6. I thought that the LX5 had the same size that the LX3, but reading your comment I just checked the specs of both on my site and saw that the LX5 is bigger :
    LX5 : Dimensions (W x H x D) 4.32 x 2.58 x 1.69 in / excl. protrusions: 1.00 in
    LX3 : Dimensions (W x H x D) 4.28 x 2.34 x 1.07 in / not including protruding parts
    The LX3 stay sometimes in my pocket but that will be more difficult with the LX5…

  7. Here’s the dimensions according to DPReview:

    LX3: 109 x 60 x 27 mm (4.3 x 2.4 x 1.1 in)
    LX5L 110 x 65 x 25 mm (4.3 x 2.6 x 1 in)

    The LX5 is slightly larger overall, but appears to be – crucially for wedging it into pockets! – a little bit slimmer (25mm compared to the LX3’s 27mm).

    I’ll add this point to the follow up article I’ve just posted: Panasonic Lumix LX5 vs Canon Powershot S95 – low light, size comparisons and other questions

  8. Dex: thanks – it’s still quite rare for a compact camera to offer optical zooming in movie mode, so I would have thought that Canon would definitely have listed that feature if the S95 had it.

  9. I just bought a LX5 it arrives tomorrow. THE deciding factor for ME is:

    LX5 – Full manual control in video mode (ISO, shutter, aperture)
    S95 – Auto ISO, Shutter, Aperture in video mode

    If Canon had manual video, still 24P, (LX5 is 30P), and zoom during video, I would have gone for the smaller S95. I wish it has the 24mm wide angle also, but the REAL killer FOR ME was no manual control on video. (End procedure code named: “my two bits”)

  10. This comparison is all fine and dandy – as far as it goes. But what about the most important thing (about which I saw nothing): IQ! Which produces the best image????

  11. I second this question: This comparison is all fine and dandy – as far as it goes. But what about the most important thing (about which I saw nothing): IQ! Which produces the best image????

  12. pModdel: please note that this article was written before the cameras were released.

    However, we’re currently half way through a comprehensive LX5 review, but despite repeated requests, Canon won’t even reply to us, let alone send us a review model.

    We’ll keep on trying though because we’re as keen as you are to see the output of the two cameras compared!

  13. I picked up a Canon S95 yesterday and have been playing with it all day today. I have been shooting 720P video and it sure zooms and stays in focus for me. While videoing the dog, I was able to get an open shot of her running and then zoom in for a close up. ??????

  14. “At the end of the day, these are all “happy-snappy” cameras. i.e., you can’t take them too seriously”

    Garbage. Both of these cameras (and their predecessors) are capable of superb images in decent light. If you can’t get a decent shot, then it’s time to look at what’s behind the camera I’m afraid…

    I have no worries about using my S90 in enough light over my 1Ds or 7D. Having just bought an S95 for the wife I can confirm that IQ is pretty much identical (i.e. very good!) to the S90. Make up your own mind – I’ve printed many of these up to 18×12″ and they look great:

  15. One of the biggest issues I have with the Canon S95 is the incredibly short battery life. The CIPA rating is only 200 shots!!! Canon makes a great camera, but this not competitive with similar cameras anymore. What is the problem?! — The battery in the Lumix LX5 has a CIPA rating of 400 shots. This is very good, and what I would expect in 2010. — With very similar cameras, like these two are, Canon’s battery is a deal breaker for me. This very good review has helped me decide to buy the Lumix LX5. — Thanks.

  16. The LX5 is NOT 25mm wide, its 43mm wide. The canon is much more pocketable. I personally have decided to forfeit the wider angle, better battery, longer zoom and zoomable video (once recording the Canon only zoom’s digitally) just because the Canon will fit easily in jean pocket, or a shirt pocket. The exact specs from DPreivew are:
    Canon S95 Lumix LX5
    Dimensions 99.8 x 58.4 x 29.5 mm 109.7 x 65.5 x 43.0 mm
    Weight (body only) 193g 233g

    To me it’s not surprising to have a smaller camera involve some compromises. The reviews not it has excellent image quality (better than the LX5) and fantastic low light performance.

  17. My canon s95 is DEAD after two weeks

    bought the new Canon s95 in Hong Kong for use doing HD video blogs for the website pages of the tv series I am filming for National Geographic (boast, boast)

    and after two weeks of occasional use it has had a lens fault so the lens won’t come out


    and Canon UK are of course pulling the “oh no you have to send it back to Hong Kong”…

    Why? I also bought a Mac laptop in Hong Kong and if that went wrong I’m pretty sure I could take it to the London store for a warranty repair, no?

    Right now I am deeply unimpressed with Canon. They sent an auto email response with a click here if you are unhappy button..I clicked and said so. They send me an auto email straight back saying my complaint was now ENDED.

    Well, no actually my complaint has been IGNORED

  18. @nick wade
    I don’t see any plus for Canon, LX5 can save images in RAW format. The only thing which may be an advantage for Canon is the zoom level.
    – LX5, at F2.0 can shoot indoor without flash almost anytime, I think that S95 an’t easily do without rising ISO sensitivity above 800. Also, LX5 can take good looking movies indoors at usual light levels.
    – LX5 is not too pocketable, and it’s difficult to find a well-fitted case for it.

  19. Thanks for doing this comparison. Kudos to The Warriors comic on top, hilarious! I just water damaged my S95 and was considering just replacing it but now with your helpful review, might just settle on the LX5 (though I’ve been a Canon fan for many years!)


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